Out of all the effects that can be applied to drum samples, reverb should be up there with the most-used, but it is not, and when it is used, it is often abused by so-called music production professionals and audiophiles. When used correctly, it can help any beat go to that extra level.

When using the reverb on just one of the drum samples, think about the effect you’re trying to achieve. Is the sound a constant sound? Could it drive your listener crazy after repeat visits? Or is it something that colors the other samples, so to say? Once you can figure out the role for that particular drum sample, you’ll be a few steps ahead and closer to your goal!

When discussing the length of reverb tail to use on drum samples, we should take all opinions into account to get the fairest idea possible. A lot of music producers offer the perception that you can use more and more reverb as a song becomes slower, and this will help you avoid needing to add extra drum hits in for the sake of doing so – to fill space. The space is instead reserved for the reverb’s ‘tail’ – whether applied to all samples equally or for a single catalyst noise or sound – like a snare, which is a popular choice for this sort of sound application.

You can apply a single reverb patch to all of your drum samples, and there are hundreds of ways this can be achieved, and equally as many different programs and plug-ins to use for the task. With environment simulations (called Impulse Responses -or IRs for short), you can make your song sound like it was recorded at any world-famous location you have IR files for, such as the Louvre Museum if you wish. You can also apply the IR sound processing to your instrument tracks so that there is a total coherence between tracks.

Having said all of this, though, just about anything goes with certain types of electronic music. As long as something actually works for the song, nobody can tell you that it’s not worthy of inclusion as an effect.

If you experiment and see what works for you, you’ll be well off to a natural instinct for applying effects like reverb to your drum samples in a way that is unobtrusive and even adds character to your tracks. Start by testing out the effects of it on single sample tracks and then to the drums as a unit, before moving on to the whole song in varying degrees of application. Also make sure to try different types, like plate and room reverb, then hall and open spaces. You’ll find that each adds something else and once you know when to use a specific type of patch, you’ll be ready for any beat making situation.

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